- Keylight 1.2 after effects tutorial how to#
- Keylight 1.2 after effects tutorial update#
- Keylight 1.2 after effects tutorial trial#
Foreground/Edge Color Correction: This allows you to adjust the hue, saturation, and color of your keyed subject.Screen Despot Black/White: This allows you to try and remove spots that can sometimes appear while keying footage.Screen Shrink/Grow: Adjusts the size of your mask and edges.Clip Rollback: If your edges appear to be lost or over-keyed, this setting can help try and recover them.The Clip Black works almost in reverse, reducing the issue of subject and foreground artifacts appearing in the background. Clip White and Clip Black: Adjusting the Clip White can help reduce issues of transparent and see-through subjects.It also adjusts how much blur is applied to the matte. Screen Pre-Blur: Can help smooth over any errors or issues with the edges of keyed footage.Screen Balance: This tries to offset issues occurring from unevenly lit background screens.Screen Gain: Controls how much of the screen color is removed.Alpha Bias: Can be used to try and offset issues from color imbalances when unlinked from the Despill Bias.Open your green screen footage in After Effects 2.Drag your footage in the project window down to the New Composition icon 3. Please follow the following steps one by one.
Keylight 1.2 after effects tutorial how to#
This can be particularly prevalent in skin tones and around the edges of hair. KEYLIGHT TUTORIAL GREEN SCREENING IN AFTER EFFECTS Today lets learn about how to give effects in green screen filmed films. Despill Bias: This allows you to try and offset "spill," where the background has reflected (or "spilled") onto the subject.Screen Color: As already covered, this creates the matte using the main color of the background.Playing around with the parameters and settings within Keylight can let you adjust how the image is keyed, and iron out issues. Try and avoid shadows behind your subject with your lighting setup (these are harder to remove in Keylight). Any wrinkles or deformities in the green screen behind the subject show up after keying, so get that ironed out if you're using a fabric background! Also, make sure that your shot is evenly lit and that the color of your subject's clothes doesn't match the background (wearing a green top with a green screen is a huge mistake). Let's jump in and get to grips with Keylight, so you can get the most out of keying your footage.īefore we get started, it's important to note that even with all the tweaking of minutiae in Keylight's settings, if the footage you're working with isn't properly shot, the results will vary.Īs a rule, ensure that your subject is separated as much as possible from your background. But once you get to know exactly how they function, the process becomes a lot simpler. The number of settings the plugin offers can be daunting at first.
Keylight 1.2 after effects tutorial trial#
This video was first shared on Adobe’s website, where you can also download a trial of the Creative Cloud for free.Keying out backgrounds using a green or blue screen in After Effects becomes much simpler once you know the core settings of Keylight, the built-in keying plugin.
Keylight 1.2 after effects tutorial update#
For a full list of updates check out our “ biggest update in years” post. These latest effects are just a couple of the many new features in the Creative Cloud.
It’s far better to shoot green screen footage correctly during production than to be forced to fix it in post. If you do a lot of green screen work we highly recommend checking out our Essential Tips for Green Screen post.